The Phoenix Network:
 
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
Features  |  Reviews
FIND MOVIES
Find a Movie
Movie List
Loading ...
or
Find Theaters and Movie Times
or
Search Movies
FallGuide2009

Delpy days

Julie finally makes her movie
By PETER KEOUGH  |  August 22, 2007

070824_delpy_main

Annie Hell: Julie Delpy’s infernal, funny 2 Days in Paris. By Peter Keough
If anyone deserves to make her own movie, it’s Julie Delpy. She’s worked with some of the best filmmakers in the world, including Jean-Luc Godard (Detective, 1985), Krzysztof Kieslowski (Trois Couleurs, 1993-’94), and Richard Linklater (Before Sunrise, 1995, and Before Sunset, 2004). She’s one of the smartest, sexiest and most authentic actresses around. She’s been writing screenplays for more than 20 years, since she was 17. She co-wrote the screenplay for Before Sunset and got an Oscar nomination. She even swears like Quentin Tarantino. So why has it taken so long for her to make her first feature?

Her bittersweet, randy, rich 2 Days in Paris, in which she plays a Frenchwoman who visits her folks back home in Paris with her prickly American boyfriend, shows all the makings of a true auteur, not least of all because she wrote, directed, edited, composed the music, co-produced, and did the still photography. To top it off, her former boyfriend Adam Goldberg plays her boyfriend, her real-life parents play her parents, and her cat Max plays her on-screen cat, Jean-Luc.

Is the cat named Jean-Luc because he looks like the director?
No, but I always thought it was funny, and I could imagine Marion would call her cat Jean-Luc because she likes Godard films.

The cat is terrific, though he doesn’t have a lot to work with.
He is terrific.

You still have him?
Yeah, he’s on the bed right now.

But not Adam Goldberg. Working with an ex-boyfriend: tense?
The only danger is that when you’ve been with someone, they start to act like an ex-boyfriend. But we didn’t really have time for that stuff. We were shooting so fast. I mean, he’s Adam. I knew what to expect when he showed up in Paris. I knew there are certain things to handle that the French crew couldn’t believe. I could put up with that shit. But for me, it’s like a certain kind of behavior you know of, like certain actors in Hollywood that are used to being extremely pampered and suddenly they come to a French set and it’s not at all the same. But it wasn’t more than I expected.

So he’s a little spoiled?
No, just the usual pampered thing. He wanted a personal assistant, so we got him one. But he wasn’t so bad. We had one trailer for everybody. The producer had to pay for it. His children don’t have clothes for school this year. His wife was crying every day. I’m just laughing at some reviews that say, “Why did she do everything?” I almost want to tell them, “Hey, if I didn’t do the editing, there would be no movie,” because we had zero money. I sold everything I owned apart from my house, because if I sold my house I’d kill myself. I’ve been working on two films in the last four years, and I’ve made $60,000.

Yikes. So how much did the film cost?
Maybe 500, probably more like 400.

1  |  2  |   next >
Related: Annie Hell, Review: Paris, Cinema of Shadows, More more >
  Topics: Features , Celebrity News, Entertainment, Culture and Lifestyle,  More more >
  • Share:
  • Share this entry with Facebook
  • Share this entry with Digg
  • Share this entry with Delicious
  • RSS feed
  • Email this article to a friend
  • Print this article
Comments

-->
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: WHIP IT  |  September 30, 2009
    Add a dash of the sad beauty contests and kooky, dysfunctional family of Little Miss Sunshine to a helping of the bogus hipness and overexposed star of Juno and whip it good and you get an idea of why Drew Barrymore's directorial debut falls flat as a sappy soufflé.
  •   REVIEW: ZOMBIELAND  |  September 30, 2009
    Does it mean anything that Jesse Eisenberg's follow-up to Adventureland is Zombieland and that it also includes a theme park?
  •   REVIEW: SURROGATES  |  September 30, 2009
    Some day in the future — or is it right now? — people will be replaced by surrogate robots, superhuman automatons who live out big-screen fantasies while their hosts, with their greasy hair and bad skin, sit back in wired-up La-Z-Boys.
  •   REVIEW: CAPITALISM: A LOVE STORY  |  September 29, 2009
    In his new film about the Wall Street meltdown, Michael Moore — surprise! — denounces capitalism and its exploitation of the working class. Not that he's above doing a little exploiting himself.
  •   REVIEW: PANDORUM  |  September 30, 2009
    I miss the days when you could cross the galaxy in comfort on the bridge of the Enterprise .

 See all articles by: PETER KEOUGH

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed 



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2009 The Phoenix Media/Communications Group