Johannes Brahms

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Blythe spirit

Opera Boston’s Offenbach, Thomas Quasthoff, the BSO, Boston Baroque, and BU’s Sondheim
Leaving the Cutler Majestic after the opening night of Opera Boston’s latest Offenbach, La Grande-Duchesse de Gérolstein , you could see the smiling faces of an audience that had had a good time.
By LLOYD SCHWARTZ | May 17, 2010

SXSW 2010 (Wednesday): [Photos] Brahms, Trespassers William, Magic Magic

Plus Japanther, live at SXSW, March 17, 2010
Photos of Brahms, Trespassers William, Magic Magic, and Japanther, performing live at SXSW
By KELLY DAVIDSON | March 19, 2010

New stuff

Pacific Northwest Ballet, Twyla Tharp, and much more in New York
One thing that impressed me was that dance invention seems to be making a comeback as a major challenge for young choreographers after years of being stirred into the multimedia stew.
By MARCIA B. SIEGEL | January 19, 2010

2009: The year in Classical

Beating the quease
This was a queasy year for classical music.
By LLOYD SCHWARTZ | January 04, 2010

Open spaces

The BSO's Brahms, Ben Zander's Wagner, Collage New Music, and the BEMF's Handel
In my review of the memorable Brahms performances Sir Simon Rattle led with the Berlin Philharmonic Orchestra for the Celebrity Series of Boston last month, I should have mentioned that one decision responsible for the beauty and spaciousness of the orchestral sound was the placement of the first and second violin sections on opposite sides of the stage.
By LLOYD SCHWARTZ | December 02, 2009

Creationists

Simon Rattle and the BPO, Fabio Luisi and the BSO, John Harbison and Emmanuel Music
Simon Rattle and the BPO, Fabio Luisi and the BSO, John Harbison and Emmanuel Music
By LLOYD SCHWARTZ | November 18, 2009

Blessings: mixed and otherwise

Boston Baroque’s Amadigi; Opera Boston’s Tancredi; the BSO’s Beethoven; the Borromeo’s Bartók; Brahms from BCMS and BSOCP
By odd coincidence, in recent weeks we’ve had performances of two important operatic rarities, landmark early works a century apart: 30-year-old Handel’s Amadigi (1715) and 20-year-old Rossini’s Tancredi (1813, his 10th opera!).
By LLOYD SCHWARTZ | October 28, 2009

Baroque and beyond

Betting on the best this fall
Ten-best lists usually come at the end of the season, but this year the Phoenix has asked its critics to provide a calendar of 10 events that, at least on paper, might wind up on an end-of-season Top 10. Boston, in case you didn't know it, is a great city for classical music, so it's not easy to keep the list short. But here goes.
By LLOYD SCHWARTZ | September 14, 2009

Providence Fall Preview Listings 2009

Music, theater, art, festivals and more in the coming months
A page of listings for local music, theater, art, festivals and more this fall.
By PHOENIX STAFF | September 17, 2009

What are the odds?

Best bets for this year's Best Music Poll
Ten years! When we organized our first Best Music Poll, way back in the day, we could only hope that it would one day wind up the institution it is today, with the annual Portland Music Awards ceremony drawing the best collection of musical talent Maine can produce.
By SAM PFEIFLE | May 27, 2009

A pair of classical gems

String quartets pair up
Sunday afternoon, two string quartets — the Borromeo and the Portland — will meet and join forces for a rare performance of a pair of classical gems, Johannes Brahms's String Sextet in G Major, Op. 36 and Felix Mendelssohn's Octet in E flat Major, Op. 20 .
By EMILY PARKHURST | April 15, 2009

Loved these but not those

Valery Gergiev, Charles Dutoit, Murray Perahia, Ian Bostridge
Of the great international orchestras, perhaps the one that's most unfairly overlooked is the London Symphony Orchestra. Yet a handful of the very greatest orchestral performances I've ever heard have been with the LSO.
By LLOYD SCHWARTZ | April 08, 2009

Mad love

John Harbison's Winter's Tale, Dvorák's Rusalka, Hans Graf with the BSO, Mark Morris's music
The destructive power of jealousy makes a good subject for opera.
By LLOYD SCHWARTZ | March 24, 2009

Contertizing

From Don Giovanni’s hell to Haydn’s Creation
Boston Lyric Opera follows up Dvorák’s moonstruck Rusalka, with Christopher Schaldebrand in the title role of Mozart’s Don Giovanni, the BSO and much more.
By LLOYD SCHWARTZ | March 20, 2009

Beloved of God

Levine's Mozart with the BSO, plus Gabriela Montero and Benjamin Zander with the Boston Philharmonic
One of my most profound musical experiences took place when I was still a graduate student.
By LLOYD SCHWARTZ | February 26, 2009

Noble melody

James Levine brings us Verdi's Simon Boccanegra ; plus Christian Tetzlaff and Leif Ove Andsnes
For the first time since James Levine became music director of the Boston Symphony Orchestra, this acclaimed Verdi specialist conducted the BSO in a Verdi opera.
By LLOYD SCHWARTZ | February 03, 2009

Lift every voice!

Classical goodies for 2009
Opera is the big word for 2009.
By LLOYD SCHWARTZ | December 30, 2008

Year in Classical: Celebrate!

Comings and goings
In Handel's Hercules, the demented Dejanira's loss is still so painful, I was afraid to listen; now I don't want to hear anything else.
By LLOYD SCHWARTZ | December 22, 2008

Over (and under) the top

Musical chairs at the BSO, the Pacifica at Longy, the Boston Philharmonic's three B's, and the Cecilia's Bach B-minor Mass
With only one rehearsal, 31-year-old BSO Assistant Conductor Julian Kuerti confronted a challenging two-and-a-half-hour program of not-quite-standard 19th- and 20th-century repertoire.
By LLOYD SCHWARTZ | November 24, 2008

Wild things

Boston Secession, the Takács Quartet and Muzsikás, Russell Sherman
Jane Ring Frank's Boston Secession, which calls itself a "professional choral ensemble," began its 12th season with a short but ambitious program.
By LLOYD SCHWARTZ | November 24, 2008

Beating a dead horse

An excerpt from And the Hippos Were Boiled in Their Tanks
I got home about 3:45 after eating breakfast at Riker’s on the corner of Christopher Street and Seventh Avenue
By JACK KEROUAC AND WILLIAM S. BURROUGHS | October 22, 2008

Opening pitch

James Levine’s gala and Brahms, Russell Sherman’s Liszt, the Bostonians’ Kurt Weill
The most moving moment of this year’s Boston Symphony Orchestra opening gala came before the concert started — the standing ovation for James Levine, who looked rested and recuperated after his kidney surgery this summer, an operation that forced him to cancel most of his Tanglewood season.
By LLOYD SCHWARTZ | October 01, 2008

New beginnings

Classical music comes alive this fall
Step into any classical music rehearsal space right now and you can almost taste the excitement.
By EMILY PARKHURST | September 10, 2008

Russian, Spanish, American . . .

Music in all accents comes to the concert halls
What everyone is looking forward to this fall is the return to the podium of Boston Symphony Orchestra music director James Levine.
By LLOYD SCHWARTZ | September 11, 2008

A classical end to summer

Bay Chamber Concerts presents three last summer shows
For the next two weeks the Bay Chamber Concert Series will present the end of their Summer Music Festival with three exciting concerts well worth the drive to Camden-Rockport area.
By EMILY PARKHURST | August 20, 2008

Young and old

Mark Morris at Tanglewood
The presence of company veterans infuses Mark Morris Dance Group with a maturity that both grounded and lifted this presentation to a higher plane.
By JANINE PARKER | July 02, 2008

On (and off) track

Boston Lyric Opera’s Seraglio , BU’s Barbiere di Siviglia , Andy Vores’s No Exit , the BPO’s Bartók and Brahms
It’s an expensive, elegant set, a lovingly detailed theatrical reproduction of railway cars on the Orient Express, the famous train connecting Paris and Istanbul.
By LLOYD SCHWARTZ | April 29, 2008

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