Jorma Elo

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2009: The year in dance

Milestones and memories
You could say there were two tremendous forces that propelled dance into the world of modern culture: the Ballets Russes of Serge Diaghilev and the choreography of Merce Cunningham.
By MARCIA B. SIEGEL | December 22, 2009

Photos: Boston Ballet's World Passions

Photos from the Boston Ballet's "World Passions" at the Opera House
Photos of the Boston Ballet's "World Passions" collection, including Jorma Elo's Carmen ; Helen Pickett's Tsukiyo ; Viktor Plotnikov's Rhyme ; and Marius Petipa's Paquita.
By ERIC ANTONIOU | October 26, 2009

Both ears and the tail for this Carmen

Boston Ballet's 'World Passions'
"World Passions," the collection of four works that Boston Ballet opened at the Opera House last night, was more pleasant than passionate until Kathleen Breen Combes sashayed out as the title character in Jorma Elo's Carmen .
By JEFFREY GANTZ | October 28, 2009

Definitions

Boston Ballet’s ‘World Passions’; Streb Brave at the ICA
Boston Ballet’s artistic director, Mikko Nissinen, wants us to think of his company as utterly contemporary, but it’s a tricky balance to pull off.
By MARCIA B. SIEGEL | October 28, 2009

Setting the Wang on fire

Boston Ballet's 'Ballets Russes'
Burning down the house” is a metaphor, but at the Wang Theatre last weekend, the Boston Fire Department was on hand to ensure that it remained one.
By JEFFREY GANTZ | May 20, 2009

Long-lasting launch pad

Ballets Russes week at Harvard
Of the nearly 70 ballets that made up the repertory of Serge Diaghilev's Ballets Russes, only a few inhabit our stages today. But the Diaghilev adventure still inspires legions of choreographers, antiquarians, archivists, scholars, and gossips.
By MARCIA B. SIEGEL | April 21, 2009

Diaghilev days

The Ballets Russes come to town
The Ballets Russes come to town
By DEBRA CASH | March 19, 2009

State of the art

Boston Ballet’s third ‘Night of Stars’
Maybe it’s the economy, but Boston Ballet’s third-annual season-opening gala was a sober evening, without the orchestral overture that graced the first two affairs.
By JEFFREY GANTZ | October 17, 2008

Russian revel?

Looking ahead to Ballets Russes 2009
The Russians are coming!
By JEFFREY GANTZ | May 23, 2008

Pas de divorce

Opera House captures Boston Ballet’s heart
It’s been a roller-coaster six weeks at Boston Ballet.
By JEFFREY GANTZ | April 02, 2008

Theatrics

Boston Ballet’s ‘Next Generation’
There’s got to be more to the future than the spectacle of gaudier and gaudier soulless cyberbodies.
By MARCIA B. SIEGEL | March 12, 2008

Quo vadis?

Boston Ballet’s ‘Next Generation’
“Next Generation” is the kind of ballet-program title that might have you asking yourself what happened to “This Generation."
By JEFFREY GANTZ | March 10, 2008

Mastering the motion

‘Masters of Motion’ in Providence
“Masters of Motion” is the kind of catch-all title for a dance bill that encompasses everything and puts you in mind of nothing.
By JEFFREY GANTZ | February 12, 2008

Twinkle, twinkle

Boston Ballet’s ‘Night of Stars’
For some 15 years now, Boston Ballet has danced like a major international ballet company, and Mikko Nissinen wants to be sure everybody’s aware of that.
By JEFFREY GANTZ | January 31, 2008

Ebb and flow

Dance: 2007 in review
The good news is that we still have our own major company, Boston Ballet, and it made its first international tour — to Spain — in more than a decade.
By JEFFREY GANTZ | December 17, 2007

Dark victory

Boston Ballet in Serenade and La Sylphide
It’s a good pairing: together, Serenade and La Sylphide write an essay on doomed love
By JEFFREY GANTZ | October 31, 2007

The reign in Spain

Boston Ballet on tour
If only the company could return to the local appreciation its international achievement deserves.
By CHRISTINE TEMIN | August 07, 2007

Digital or timeless?

‘Opening Night at Tanglewood,’ the Dutch and the Danes at Jacob’s Pillow, ‘The Unknown Monet’ at the Clark
Garrison Keillor went into one of his trademark reveries and began to tell us about Tanglewood’s “designer” fireworks.
By JEFFREY GANTZ | July 18, 2007

Love and death

Boston Ballet's "Classic Balanchine" has all the basics
“Classic Balanchine” as opposed to . . . “Jazz Balanchine”? “Porno Balanchine”? What was the alternative?
By JEFFREY GANTZ | May 09, 2007

From Berlioz to Bayadère

The BSO and Boston Ballet announce 2007–2008
The czy ambiance at Symphony Hall made the announcement of the Boston Symphony Orchestra’s 2007–2008 season seem like a family chat with James Levine.
By JEFFREY GANTZ | April 03, 2007

Sight and insight

Boston Ballet’s ‘New Visions’
“New Visions” is the kind of title ballet-company directors come up with for programs that are sort of new and are hoping for vision.
By JEFFREY GANTZ | March 07, 2007

Dancing across the city

Between the opening of the new ICA and Bank of America's de-funding of Celebrity Series, will Boston be a city on the move or on the make in 2007?
The ICA’s Barbara Lee Family Foundation Theater, with its sprung wood dance floor and wrap-around windows framing the harbor, is positioned to become Boston dance’s most significant venue.
By DEBRA CASH | December 27, 2006

L’Allegro, fuss and feathers, and the ICA blues

A year in dance
This year we were looking forward to dance performances at the Barbara Lee Family Foundation Theater in the new ICA.
By JEFFREY GANTZ | December 20, 2006

Stairway to Paradise?

Boston Ballet's Gala performance
It’s a mark of Mikko Nissinen’s ambitions for Boston Ballet that last night’s benefit Gala Performance at the Wang Theatre ended with such a défilé .
By JEFFREY GANTZ | October 26, 2006

Lambarena redux

Pacific Northwest Ballet and Choreftes at JP, plus BB 2006 – 2007 and a DVD surprise
All summer long I’ve had the phrase “Do the Lambarena” running through my head, as if it were a dance craze, like the la-dee-dah or the lambada.
By JEFFREY GANTZ | August 23, 2006

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