Philip Glass

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Does jazz have a melody problem?

Phil Sargent and Daniel Bennett try a new approach
It seems lately that every other jazz musician I talk to under 40 wants to talk about melody — how it’s the thing they all care about.
By JON GARELICK | June 02, 2010

Poetic chaos

A Troop of Echoes spend Days In Automation
The melodic noise collective known as A Troop of Echoes will unveil their full-length debut Days In Automation next weekend at AS220, hosting their album release party alongside an impressive gathering of local support.
By CHRIS CONTI | May 19, 2010

Complete control

Pat Metheny, live at the Orpheum Theatre, May 20, 2010
Let’s put aside for now the philosophical questions about a player/composer’s need for control, and whether there’s any qualitative difference between the music said player/composer writes for himself and what he writes for himself with other people, or for himself playing a myriad of instruments simultaneously.
By JON GARELICK | May 24, 2010

The Unthanks | Here's the Tender Coming

Rough Trade (2010)
Rachel and Becky Unthank appear to have stepped out of another time and place.
By ZETH LUNDY | April 14, 2010

Airs and graces

Stephen Petronio at the ICA, Black Grace at the Paramount
Somewhere in the middle of Stephen Petronio’s terrific hour-long dance I Drink the Air Before Me last Friday night, the dancers exited and the space went dark.
By MARCIA B. SIEGEL | March 23, 2010

Jónsi | Go

XL (2010)
To the Sigur Rós fans still weeping over the band’s decision to scrap their latest full-length and take an indefinite paternity leave: dry your tears with Jónsi’s uplifting solo debut.
By CARRIE BATTAN | March 23, 2010

From Mozart to milonga

All kindsa dance hits the stage
We Bostonians may swathe ourselves in sweaters and lock our doors against the blustery weather, but once the music begins, dance performances can help us shake off the shivers — and often transport us to more temperate climes.
By DEBRA CASH | December 29, 2009

2009: The year in dance

Milestones and memories
You could say there were two tremendous forces that propelled dance into the world of modern culture: the Ballets Russes of Serge Diaghilev and the choreography of Merce Cunningham.
By MARCIA B. SIEGEL | December 22, 2009

Concertizing

John Hollenbeck plays New Year's Eve! Plus, the Rempis/Rosaly duo
When I reach John Hollenbeck by phone, he's on a sojourn typical of the modern itinerant composer — a week-long teaching residency.
By JON GARELICK | December 15, 2009

Smaller, bigger, better

Boston Ballet’s fourth ‘Night of Stars’
Is Boston in the midst of a ballet boom? You could certainly believe that if you attended Boston Ballet’s fourth annual season-opening gala last Saturday.
By JEFFREY GANTZ | September 22, 2009

Terpsichore's delight

A season of foot (and body) work
There's no end to variety to the fall's dance season, from a Boston Ballet classic to Hawaiian hula and "extreme action" acrobatics.
By DEBRA CASH | September 14, 2009

Extremities

Postmodern dance takes flight
Postmodern dance's conceptual, physical, and metaphysical roots spread far and wide, as four summer festival performances attested last week.
By MARCIA B. SIEGEL | July 15, 2009

Dancing with himself

Arthur Russell's posthumous renaissance
Arthur Russell's music does little to illuminate the mysteries and vagaries of his life. It simply tosses them aside, in pursuit of moods and rhythms few have successfully replicated, two decades later.
By CHRISTOPHER GRAY | April 22, 2009

Play by play: April 17, 2009

Plays from A to Z
Theater around town
By CAROLYN CLAY | April 14, 2009

Play by Play: April 10, 2009

Plays A to Z
Plays around town
By CAROLYN CLAY | April 08, 2009

Play by play: April 3, 2009

Plays A to Z
Plays around town
By CAROLYN CLAY | April 01, 2009

Play by Play: March 27, 2009

Plays A to Z
A compilation of theater productions in and around Boston
By CAROLYN CLAY | March 24, 2009

Paul Schrader at the HFA

American contradictions
"I'm not sure what happened to me," says Paul Schrader's Patty Hearst, one of the least reliable of the director's succession of unreliable narrators, in the film named for her.
By CHRIS FUJIWARA | January 29, 2009

Tweak-folk

Reimagined folk songs by Sam Amidon
Released this summer, Nico Muhly's Mothertongue (Bedroom Community) — the latest album by the ambitious contemporary classical music composer, a protégé of Philip Glass — offers listeners a bombastic example of the ongoing collaboration between the composer and Vermont-based folk singer Sam Amidon.
By CHRISTOPHER GRAY | December 03, 2008

Beyond tradition

Two concerts seek fresh ears for 'classical' music
On December 6 the University of Southern Maine Composers' Showcase will offer selections from new composers for eclectic ensembles, and on December 8 the Decompression Chamber Music Ensemble will offer an interactive concert pairing Robert Schumann with Philip Glass.
By EMILY PARKHURST | December 03, 2008

Intimate moves

Festival Ballet’s “Up CLOSE, on HOPE”
What began as a way to give audiences a closer look at its dancers and choreographers an opportunity to showcase new work has become an integral part of Festival Ballet Providence’s season: the “Up CLOSE, on HOPE” series.
By JOHNETTE RODRIGUEZ | November 05, 2008

Get around to it

Belated props to Arthur Russell
You would not guess, listening to his music, that Arthur Russell grew up in Oskaloosa, Iowa. In fact you might not guess that he came from anywhere.
By RICHARD BECK | October 25, 2008

Flow

A somewhat wishy-washy exposé
Instead of goading us with bits and pieces of the doom-and-gloom picture, some documentarian should come up with a unified theory of why we’re all screwed.
By PETER KEOUGH | September 24, 2008

Body work

Theatre Expansion’s ‘Dancestravaganza’
The fifth “Dancestravaganza” is Rubel’s Berenger’s Body , featuring dancers Leslie Vazquez and Katie Zarling.
By JOHNETTE RODRIGUEZ | September 10, 2008

Winged feet

Dance around town
Dance highlights from the fall season.
By DEBRA CASH | September 11, 2008

Dainty cabaret

Keigwin + Company bring the elements to Jacob’s Pillow
Larry Keigwin’s genial take on the perennially popular theme of the four elements (water, fire, earth, air) didn’t add anything profound to the cosmic intelligence.
By MARCIA B. SIEGEL | September 02, 2008

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