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A new Gardner, plus landscapes, performance art, and RAD

Shapeshifting

By GREG COOK | December 30, 2011

John Marin (1870–1953) | Composition, Cape Split, Maine, No. 2, 1933 | Oil on canvas | 22 x 28 in. (55.9 x 71.1 cm) | Amon Carter Museum, Fort Worth, Texas, 1969.9

JOHN MARIN: MODERNISM AT MIDCENTURY | Addison Gallery | January 27–April 1 | Marin was a leading figure in Alfred Stieglitz's circle of pioneering early-20th century American modernists. Local independent curator Debra Balken explores his late work, assembling 60 watercolors and oil paintings from the 1930s through his death in '53 that reveal how Marin channeled the kinetic energy of the rising New York skyline and Maine's churning coast.

180 Main St, Andover | Free | 978.749.4015 or andover.edu/museums/addison

LOOK AHEAD: All the movies, music, theater, games, restaurants (and more!) you'll be checking out in 2012

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A bankrobber downsizes
There's nothing like an art heist to make a journalist spout hyperbole.
The MFA pulls out the stops for contemporary art with the Linde Family Wing
A conundrum lies at the heart of the Museum of Fine Arts' Linde Family Wing for Contemporary Art, which debuted last weekend: how does a museum showcase a subject it has long neglected?
Photos: Richard Avedon at the MFA
Shots of haute couture by Richard Avedon
More

A bankrobber downsizes
There's nothing like an art heist to make a journalist spout hyperbole.
The MFA pulls out the stops for contemporary art with the Linde Family Wing
A conundrum lies at the heart of the Museum of Fine Arts' Linde Family Wing for Contemporary Art, which debuted last weekend: how does a museum showcase a subject it has long neglected?
Photos: Richard Avedon at the MFA
Shots of haute couture by Richard Avedon
OMFG: The new MFA
The completion of the Museum of Fine Arts' new 121,307-square-foot Art of the Americas Wing, which opens Saturday (with a free community day), is an America-the-beautiful, knock-your-socks-off survey of great art.
Hitting a nerve
David Bernstein's summary of Right on Crime's common-sense, holistic approach to criminal justice reform (see "Strange Bedfellows," Talking Politics, January 28) really hit a nerve.
Review: Margaret
Kenneth Lonergan offers no resolutions in this complex and moving parable, unless it's the observation that the only resolutions in life are in art.
The deCordova thinks about ''murals''
In "Wall Works" at the deCordova Sculpture Park and Museum, curatorial fellow Lexi Lee Sullivan attempts to corral a trend in art today that spans graffiti and interior decoration.
Review: Hell and Back Again
Winner of the Grand Jury Prize at the 2011 Sundance Film Festival, Hell and Back Again offers a potent documentary correlative to the narrative of The Hurt Locker .
Alternative universe
In the 1930s and '40s, Boston painters developed a moody, mythic realism. They mixed social satire with depictions of street scenes, Biblical scenes, and mystical symbolic narratives, all of it darkened by the shadow of the Great Depression and World War II.
A walk on the wild side
Everyone looks so weary in Howard Yezerski Gallery's gritty documentary photos of Boston's dear departed Combat Zone from 1969 to 1978. The year's still young, but this glimpse into our past from Roswell Angier, Jerry Berndt, and John Goodman may be one of the best shows of 2010.
Photos: Bumpkin Island Art Encampment
Artists share their work at the Bumpkin Island Art Encampment on July 31, 2010.
Peter Max's pop life
Peter Max rocketed to fame as one of the iconic psychedelic artists of the late '60s.
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Featured Articles in Museum And Gallery:

‘CHICKEN LITTLE’ AND ‘MANCHESTER TRACKS’ AT THE RISD MUSEUM | January 10, 2012
The star of New York painter Nancy Chunn's epic installation "Chicken Little and the Culture of Fear" at the RISD Museum (224 Benefit Street, Providence, through April 15) is the fabled fowl — you know, the one who mistakenly thought the sky was falling.

BRIAN ZINK, MARISA MARTINO, AND ROBIN MANDEL | January 10, 2012
Zink's new show, "Assembled" at Howard Yezerski Gallery (460 Harrison Ave, Boston, through February 7), features handsome, hard-edged abstractions assembled from mod, jitterbugging patterns of flat Plexiglass tiles.

SHOWS WORTH SEEING IN THE NEW YEAR | December 28, 2011
From centuries-old Taoist visions to the ways technology can channel emotions, local exhibits this winter prompt comparisons between then and now.

A NEW GARDNER, PLUS LANDSCAPES, PERFORMANCE ART, AND RAD | December 30, 2011
Greater Boston's art-museum building boom continues with the debut of an expanded Isabella Stewart Gardner Museum in January.