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Features

Ten fall film releases

By PETER KEOUGH | September 24, 2012

ANNA KARENINA November 16 » After winning Oscars with his adaptation of Ian McEwan's Atonement, Joe Wright accepts the challenge of Leo Tolstoy's thousand-page tome about the title adulteress. Keira Knightley plays the unfortunate Anna, and Jude Law is her cold-fish spouse. Tom Stoppard wrote the screenplay, and tapping into post-modernist self-reflexivity, Wright sets much of the story in a theater. Maybe they'll invoke feminism and give it a happy ending.

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ARTICLES BY PETER KEOUGH

ALTERNATIVE MEDIA AT THE BJFF | October 31, 2012
After six decades of futility, maybe it's time for a new approach to achieving peace between Israelis and Palestinians. Some of the films in this year's Boston Jewish Film Festival offer solutions that sound a little crazy, except when you consider the alternatives.

REVIEW: HOLY MOTORS | October 31, 2012
Rivaling The Master in the weirdness of its opening scene, Leos Carax's first film since Pola X (1999) begins with a long take of an audience staring out at the audience watching the movie.

REVIEW: THE BIG PICTURE | October 24, 2012
A word of advice to anyone who kills his wife's lover, fakes his own death, assumes the dead guy's name, and flees to a seaside Balkan town: leave the camera at home.

REVIEW: HIGH GROUND | October 24, 2012
In October 2010, 11 wounded Iraq and Afghanistan War veterans — blind, missing limbs, suffering from traumatic brain injury or PTSD — took part in "Soldiers to the Summit," a mission to climb Nepal's 20,000 foot Mt. Lobuche.

REVIEW: CLOUD ATLAS | October 26, 2012
The most disappointing film of the year, Lana and Andy Wachowski and Tom Tykwer's adaptation of David Mitchell's 2004 novel fails on nearly every level.