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Even as she faces the very real possibility of defeat this November, Pressley is receiving support and gushing praise from most of Boston's political figures.
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Andrew W.K. is a wild man who wails through songs that usually boast a blitzkrieg temperament.
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Union flags were flown, loud music roared, and fleets of motorcycles rumbled, as several thousand people marched for civil rights and human dignity, and, in at least one case, to scold moguls for banking gross salaries at the expense of workers.
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In the new production at the American Repertory Theater, directed by Diane Paulus, Messrs. Heyward and Gershwin have been reworked by two actual African-Americans: two-time Obie Award winner Diedre L. Murray and Suzan-Lori Parks, the first African-American woman to win the Pulitzer Prize.
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I've made fun of Kidz Bop plenty in the past, but it's time to get real: Kidz Bop is a venerable institution now, worthy of serious retrospection.
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At this year's edition, there was very little you couldn't call jazz — maybe Afropop star Angelique Kidjo or, if you were being especially churlish, New Orleans trombonist and trumpeter Troy "Trombone Shorty" Andrews, with his funk-heavy set.
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