Atoms for Peace | AMOK

XL (2013)
By RYAN REED  |  February 26, 2013
3.5 3.5 Stars

atoms-for-peace_amok

Kid A
, Radiohead's confounding electro-rock masterpiece, is officially hitting puberty. It was 13 years ago that Thom Yorke, the band's restless, iconic frontman, pushed his quintet's psychedelic tapestries into the digital unknown, blending guitars and synthesizers with glitchy programming and sampled hysteria. That synthesis of organic and synthetic resulted in a groundbreaking about-face — but replicating it hasn't been a cake-walk. Yorke's debut solo album, 2006's laptop-spawned The Eraser, was melodically beautiful yet sonically cold, sorely lacking his main band's muscle and textural sprawl. The last Radiohead album, 2011's The King of Limbs, was a frustrating and fractured affair, littered with muted beats and jittery riffs — a jigsaw falling out of place. Kid A may be nearing bar-mitzvah age, but in a roundabout way Yorke has finally delivered its spiritual sequel: AMOK, his debut recording with quasi-super-group Atoms for Peace, expands and colors that album's template, connecting the dots in often fascinating ways. The seeds were sewn in 2009, when Yorke recruited a high-profile gang of collaborators (longtime producer Nigel Godrich, percussionist Mauro Refosco, session-ace drummer Joey Waronker, and Red Hot Chili Peppers funk-bass wizard Flea) for a belated Eraser jaunt. Those songs gained a funky, visceral edge onstage — and that primal vitality has oozed into AMOK, an album that blurs the line — thrillingly — between human being and machine. Refosco and Waronker combine their respective pitter-patter percussion into complex webs, while Godrich and Yorke twiddle with West African guitars (the fittingly titled "Stuck Together Pieces") and icy synth pads that blur in and out of focus. The real MVP is Monsieur Flea, whose meaty basslines anchor the explosive climax of "Dropped" and punch up the ghostly campfire tale "Judge, Jury, and Executioner" with a glacial 7/8 goo-step. AMOK is as heady and immersive as any great Radiohead album, but those comparisons eventually wilt: Yorke's new band has discovered a symmetry all its own.

»  RREED6128@HOTMAIL.COM

Related: Radiohead | The King of Limbs, Skipp Whitman | Skipp City, Review: Tyler Perry's Good Deeds, More more >
  Topics: CD Reviews , Radiohead, Thom Yorke, review,  More more >
| More


Most Popular
ARTICLES BY RYAN REED
Share this entry with Delicious
  •   WAVVES | AFRAID OF HEIGHTS  |  March 18, 2013
    "I Can't Dream," the closer on Wavves' fourth studio album, opens in a drunken lo-fi stupor — Nathan Williams warbling bratty, tone-deaf nonsense over hissy acoustic power chords.
  •   THE VIRGINS | STRIKE GENTLY  |  March 06, 2013
    After a half-decade of semi-obscurity, frontman Donald Cumming is redefining his band as the hipster sultans of swing.
  •   ATOMS FOR PEACE | AMOK  |  February 26, 2013
    Kid A , Radiohead's confounding electro-rock masterpiece, is officially hitting puberty.
  •   ATLAS GENIUS | WHEN IT WAS NOW  |  February 20, 2013
    Atlas Genius are schooled students of modern pop architecture, seamlessly bouncing from Coldplay-styled acoustic rock to fizzy Phoenix funkiness to deadpanned Strokes-ian guitar chug. But When It Was Now is more like an alt-pop NOW compilation than a joyous synthesis.
  •   FOALS | HOLY FIRE  |  February 11, 2013
    Even at their most expansive, Foals are digging into more primal territory.

 See all articles by: RYAN REED