The Bongos

Drums along the Hudson | Cooking Vinyl
By TED DROZDOWSKI  |  August 20, 2007
4.0 4.0 Stars
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Cooking Vinyl Twenty-five years after its initial release, this cornerstone of American ’80s post-punk/new-wave sounds both innovative and quaint. Frontman Richard Barone has a quavering, uncalculated deer-in-the headlights quality to his voice that no major label would package today. And the upbeat playing is both artful and rickety, propelled by angular, jittery guitar and primitive drumming. There’s also a hopefulness in many of the Bongos’ lyrics. In the wake of punk’s first wave, independent artists were setting out to reclaim the cleverness of good pop songwriting from the slick strictures of corporate rock. And some, like the Bongos (who were born in the vital Hoboken scene), were breaking out internationally, paving the way for the likes of the Pixies and the eventual mainstream success of R.E.M. The consumerist rant “Video Eyes,” the presciently metrosexual “Zebra Club,” and the tribal ode to lust “In the Congo” still surprise. Noisy little solos detonate like bombs; harmonies threaten to crash yet manage to soar, elevating the choruses. Just-okay vintage live tracks and a new recording of “The Bulrushes” produced by Moby round the disc’s original 15 tracks up to 27.
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  Topics: CD Reviews , Moby (Musician)
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